The Green Note, Camden

Life is full of little adventurettes; as I walked through St Pancras underground, there was Josh from Casualty, casually striding off the escalator, as though he wasn't famous at all.

Last night's gig at the Green Note was a real rip-roarer!
They treat their musicians well, and gave us dainty plates of vegetarian food, and drinks; sound checking was informal and quick, and Paul Davey arrived with his clarinet and a smile, and so did former Daintees photographer Mike Chavez: well, a smile, anyway, if not a clarinet (lots of his photos at www.daintees.com).
'Ee must be populaire', commented the waiter as the place filled up to the brim.
In spite of being hayfeverish I think I turned in a good set (Martin and Paul said I did anyway) with Paul joining me for Autumn Love and London, Martin for Heaven Avenue and both for Loverman.
Martin soon had the audience bonded, included, laughing and singing; it was someone's birthday and Martin and Paul went to her table to serenade her.
There was an Italian fan who had seen him supporting Bob Geldof in Italy when the fan was eight, who requested a song called Daffodils which I'd never heard before (the fan was a little bit of a trainspotter). Martin challenged me to a flower-song singoff, and gave me his guitar to play Daisies (which I had thought I was putting aside until further notice).
He played a mixture of old-timey, Daintees and solo songs, sold a lot of CDs and generally turned in a fine performance; it's cool being his support act and co-roadie!

Singing

I have recently noticed how easy it is for builders to mimic the timbre and gusto of Amy Winehouse as they sing along to her on their al fresco radio sets.
Could this be a clue as to her continuing popularity?

Dishes

Humph. I have been having one of those days when I can't seem to get anything right.
Well, maybe I did, because Offsprog 2 liked her birthday presents (a tent for Glastonbury, a big red and white striped basket, an Ed Hardy Tattoo mug, and other little things.
And I made a nice chocolate cake and iced it, and put pink, white and blue flowers on it and matching candles.
Yes, I did two things right.
But more than that wrong.

So I am looking for things to make me happy; Cazz Blaise's next women in punk article is up now at http://www.thefword.org.uk/features/2010/04/women_of_the_pu
It's a refreshing slant on how things were back then, with interviews with myself, Gina Birch, Lucy O'Brien and Caroline Coon.
I had a very fruitful meeting with Gina about her film this morning; it's always really interesting talking through ideas with her, and we are going to try to find the mag cover that had Thatcher done up as Britannia- I looked for it when I did my book (I'd thought it was Vanity Fair) but couldn't find it, even though I googled till I was blue in the face.


I wish I could think of more to write... mainly because the dishes need to be washed and I can't bear the thought of having to walk through the kitchen and see them. 


What else can I write about? 
Hank Williams trying to sell his songs to other artists to sing, but if they liked a particular song he would not sell it, thinking it must be a good one that he needed to keep for himself... or 
Wondering what would happen in a reverse-Jesus moment, if wine turned into water and people couldn't get drunk and therefore didn't become aggressive and get hangovers... or 
Wondering which came first, the Celtic Knot design or the Eightsome Reel that would tie a Celtic knot if the dancers were pieces of string... or 
Wondering why a tourist would want to come to any part of Britain that had a strong BNP presence, and if Brand Britain will go down the pan... or
Wondering why Delta 5 have disappeared, and where to... or
Wondering whether to write a fake Swedish poem, using only words from the IKEA catalogue... or
Wondering if I will ever be able to play the complicated guitar part I have written for The One-Note Rock'n'Roll


Stuff it, dishes here I come!

The Green Note

Thursday this week- Martin Stephenson plays the Green Note in Parkway, I am supporting him and Paul Davey is playing clarinet with both of us.
www.greennote.co.uk

Oh No!

Oh no!
It looks like we are going to be governed by toffs from Eton!

Eyre Chapel and Beyond

What a lovely drive it was: the M40 buzzards were hovering on the thermals above the motorway, and somewhere close to Chesterfield six brown parachutes suddenly opened in the clear blue sky, floating like jellyfish in the air and looking for a moment as though they were going to land on the road ahead.
After checking in to the b'n'b, it was time to head for the chapel, where David Lelievre was setting up the lights and Mike and June were ready for the gig.
The chapel is beautiful, a tiny stone box painted white inside, with shield-shaped memorials to the Eyre family dotted across the walls, and an embroidered and patchworked wall-hanging on the back wall.
The audience sat on lines of chairs and there was a raised area at the front, which is where Martin set up the little Fishman P.A. system. There was a really nice atmosphere, a really nice audience.
Last year when we played there I was still mourning McDad and I found it very difficult to sing, but this year things felt a lot more relaxed and I enjoyed it a lot more. I left out the Daisies song, not because of the stinky teenage rant that someone posted on Myspace, but because when I play it people only seem to notice that one, so it's having a rest for a while.
As usual, Martin had the audience roaring with laughter but he played very well too with the best rendition of the Joe McKue song I've ever heard, and a lovely version of Nairn Beach.
Yesterday I went with him to Knutsford (once the land of Neil and Christine Hamilton), a very pretty and slightly twee town just off the M6. His gig was at the Liberal Club, an odd building that looked like a warehouse from the outside; inside, it had that youth club/community centre vibe and a lot of very jolly and very loud people who obviously spent a lot of time shouting at their TVs at home, and who yakked loudly all the way through the set of the poor support guy and his cellist, which was a real shame as they were good. Martin wasn't having it, and managed to tame them by about two songs in. Bravely, he didn't sing shouty songs- he sang a lot of the quieter ones and soon had them eating out of his hand, but it looked like very hard work.
We went for a walk in Tatton Park this morning before he headed north and I headed south; as we walked back though the gates, a voice from the pay-booth called us over. It was a lady called Jenny who had been at the gig, and loved it. How sweet and surreal!

Eyre Chapel Tomorrow

 http://www.wegottickets.com/event/74282
Eyre Chapel, Friday, supporting Martin Stephenson
It's in Chesterfield, a beautiful little chapel
£10.00

Sour

I am grumping because I haven't been well. I've had to cancel loads of stuff, and everything is getting on my nerves. Offsprog 2 is playing David Bowie upstairs. I have never been keen on the man, but tonight he sounds like a singing dentist, lips drawn back from his teeth, whining like a drill.
On the tube home from Diversity Training this afternoon, an assertive fellow thought he could get away with shoving his electronic game-playing elbow not only on the elbow rest, but beyond and into my seatspace. O no, assertive fellow! My own elbow was soon assertively yet gently shoving his elbow back where it belonged, relentlessly, until he was sitting neatly within his allotted area and out of mine.
Grr.
Woe betide anyone who crosses me today! I am nastily articulate, sending cold emails through cyberspace in between bouts as an armchair TV critic, muttering unprintable words. I have been shunting duties further and further into the week and they are going to collapse into a pile tomorrow, I know.
Why has food poisoning given me backache? I've been swallowing little chalky aspirins that fortunately work, but they leave my irritable mood intact.
Even the dishes trembled as I put them away strictly in their cupboard, daring them to wobble or obstruct the door! I have folded vicious creases into my clothes and shan't be playing guitar tonight in case I snap the strings.

Tomorrow, I will be mellow again.

Ugg Boots

Remove the last letter of the word 'Ugg' and replace with the next letter in the alphabet, 'h'.
There you have it!

Bristol

For two days now, I have been trying to send the photo of Drunk Granny playing to my computer. (just done it!)
Silly: I have an iPhone and it should be easy. But no, because I write my blog on a different Mac from the one I set up my phone on and I don't want to buy any more i-Applications to confuse my life. the phone doesn't appear as a hard drive on my desktop like my old non-Mac phone used to.
If Mr Mac isn't careful, he will find himself targeted by Microsoft-type virusmakers, feeling grumpy about the tied-up feeling that's beginning to appear with Mac products.

Well, what I was trying to say was that I hoped to review the Bristol gig two days ago but have given up on the Drunk Granny photo and here's the review anyway, slightly threadbare due  to the fact that I drove there and back in one day and therefore left as soon as I'd played.

Hmm... it hadn't been publicised properly and in spite of a brilliant line-up featuring the Stingrays at the top of the bill, it wasn't exactly packed to the rafters.
But that gave me a chance to enjoy Drunk Granny's mad set. They have been in Berlin and have come back as tight as a cow's harris in a sandstorm.
Their songs are short and shouty and their personnel (Debi on guitar and Edie on drums) are mistresses of thrashy economy. No song lasts for more than two minutes, I think, which in my book makes them all hits.
Breath of fresh air, mate, breath of fresh air.
I have their DIY CD and will review it in a few days time.
Next up were Denial Factor, a trio of young women from Yeovil aged between 17 and 20 who had been sitting quietly eating cold pizza from a biscuit tin in the dressing room for most of the evening. They were all very good musicians, especially the drummer. The singer/bass player had a strong and piping voice and their music was more rock-inspired than punky; I can imagine them being signed up in the twinkling of an eye. I had supplied them with a top E string for the electric guitar, and therefore claim credit for their entire gig.
Then it was my turn, with my not-punk. But it was okay, I think.
The guys from the Stingrays said I was a very good guitarist and Drunk Granny seemed to be enjoying it, and the drummer from Disorder was grinning along as well. So I was happy, and I drove home just managing to keep my eyes open.

What I would now like to know is... what did I eat that gave me food poisoning?

P.S. I met Dave Laing today, and the paperback of The Lost Women of Rock Music is going to go ahead, published by Equinox. I have to finish the extra interviews by July and finish the amendments by September, and with any luck it will be out in a year's time!

Festivals

Yet again this year, I am playing at precisely nil festivals, although I would love to.
So I am organising my own: Squirrelfest.
I haven't decided where yet, but I plan to pitch up in a grassy park somewhere, entice my audience with a bagful of stale bread crusts, and regale them for four hours with a unique set including specially written songs such as Where Did I Put My Nuts and Beware Of The Dog.
Their little bushy tails will sway to my anthems and they will go back to their dreys at nightfall, happy and contented, with just a few complaints about the toilet facilities, and singing my hit, Humans? Who Needs 'Em?.

Wild Excitement for Barnet's Residents

I've just seen eighties superstar Paul Young in the supermarket. Unfortunately I didn't get to look in his basket. Later, he was withdrawing cash from Barclays on the High Street.
It's all go in Barnet on a Friday afternoon!

Bletherings: Greek

In Crete on holiday, I very gradually began to understand the writing on the signposts; this was very odd, watching sense gradually materialise in front of my eyes from something that had been incomprehensible.
This made me remember McMum and McDad earnestly moving their lips and staring and making noises at me over and over again when I was a baby, and my feeling that they were trying to make me understand what they were doing, until eventually I did, and that's when I started to understand the English language.

When we were in Crete, a teenage member of our party, a girl, was overcome every time we saw one of the many stray doggies that cringed around the tourists.
'Oooh look at the little doggy-poggy-woggies!', she would coo in a baby voice.
So me and her mum started noticing the old ladies who walked by the side of the road with their bundles of shopping or whatever.
'Ahhhh! Look at the lovely little old lady-pady-wadies!', we trilled, tears pouring down our faces with laughter at our clever idea.
We were probably just as sickening as the teenager doggy-poggy-woggy lover.

All this is inspired by a visit to one of my students who is doing work experience at London Greek Radio. They have been fantastic hosts, allowing her to do her own show. But it was an eccentric experience as most of the other staff appear to be Greek men of a certain age, grizzled, polite and exceptionally bossy.
'Everyone upstairs!', one chap would say and we trooped upstairs. 'Right! Downstairs everyone! You can talk for five minutes. Sit there please. Now you have to stop talking for a while; we are going upstairs! Stand over here and be in the photograph. And another please. One more photograph!' Everyone wanted to shake hands and join in, and the poor student grinned at me helplessly as the tide of people swept upstairs and down again, collecting more excited chaps as we did so.
After twenty minutes, I took my leave with a happy heart, enthused by the enthusiasm of people who love their job and put their heart and soul into it.

Finally: McDad produced a bottle of wine called 'Grk' once at the table. A wag in our company asked him if he had another one called 'Ee'.

Well, that's really enough bletherings for today.

Rebel Music: Bristol, Saturday

Years ago, the Chefs played a very eccentric gig at the Trinity in Bristol, after which a young man physically shoved our manager aside to try to get to me in the dressing room and a very nattily dressed African businessman in a navy suit said to me 'Don't worry little girl, I can make you famous'.
This gig on Saturday celebrates those bands who played the Trinity back then. Don't know what time I'm playing yet but I'll let you know!

Event: Rebel Music:  Trinity Center, 17^th April, 2010, 2pm-2am

A day long celebration of Music, Fashion & Art inspired by Punk, Nu Wave and Ska

at the Trinity Center St Philips as part of a HLF funded oral and archival history project What's Your Trinity Story.

Program

Daytime 2-6pm

2.00pm Talk by Debbie Withers,  (Author of 'The Kate Bush Theory')'Do it yourself/ Do it together': A guide to punk cultural production.

3.00-4.00pm Motiq and Earthwormkim present Punk Fashion Show.  w

4.00-5.00pm "Rebel restyle" - Mash up, remake clothes led by final year fashion students from UWE

Evening 6.00-2am

6.00-7.30pm Film Screening in conjunction with Watershed Media Centre "Filth and the Fury" (cert. 15) *

Live Music Featuring: Disorder, Stingrays, Blak Flamez, Denial Factor, Helen Mc Cookerybook, Drunk Granny plus DJ Hackenbush.

Cost

 £10.00 ticket for the whole day

 £5.00 daytime

 £5.00 Evening

* £1.00 payable on the day

Tickets available from Bristol Ticket Office Bristol 0117 929 9008

Please note daytime activities are open to all ages but entry in the evening is restricted to 14 + if accompanied and 16 + if not.

For more information about the event and the project, please contact Outreach Worker Dr Edson Burton on 0117 935 1200 or email info@3ca.org.uk