Monday, November 09, 2026

List

I once wrote a song called Lists. None of the others in the Chefs liked it, so we never recorded it; I'm recalling it today because I have a whole pile of lists on the kitchen table. 

The latest thing that has gone wrong is that my Square payment system has locked me out and gives me an endless 'renew password' loop. Their ai assistant is as unhelpful as all ai assistants, so I'm going to have one last go by re-installing it on my phone later on (thanks for the tip, Caryne) before making the decision to be cash only or Paypal. It's too much stress to fight with an ai assistant full of helpful regret!

Strangely enough, I'm not stressed. Kenji has been really helpful, I've had my hair cut (one thing that I have control over), and realistically many of these things happen to everyone. Maybe not just all at once!

I hope an HDMI cable is on it's way, I've just ordered an adapter (I'll have two), I've realised that I'll have to have a bit of 'dead space' after the pre-recorded songs in case they run into the next one, so I'll re-export them this afternoon. Blimey, what a learning experience this is.

My Southside hat is ready and waiting: not only does it fill me with a sense of purpose, but it's also a remarkably effective fringe-flattener! 

Update: Square now working; guitar supposed to have been fixed on Saturday by local guitar shop ('there was nothing wrong with it!'), not. I may end up playing the Telecaster after all- I've just tried it and I can do it!




Sunday, November 08, 2026

Chaosaturday, Chaosunday

All started well yesterday as I set off to York to meet Mick, June, Laura and Danny. On the train, I decided to visit the loo before we arrived, and found myself locked into one of those electronic tubes of horror. Normally,  the fear is that the door will decide to open midway through the process, but on this occasion the door simply wouldn't open when I tried to unlock it after I'd finished. Conscious that we were quite close to York and not wanting to end up in Newcastle (the final destination of the train), I pressed the driver alarm button. I thought long and hard before doing so, but there wasn't any other option. The driver was actually really nice, but the conductor who let me out wasn't at all. More training (sic) needed, perhaps.

Meanwhile, and during all this, the support act for Thursday's gig in Glasgow had to pull out for health reasons. Thankfully, Kenji suggested that we show the film instead, and after getting permission from Gina and checking with the venue that it would be feasible, that is what will be happening.

We had such a nice lunch in Betty's in York, sitting on podgy corner seats and gorging on food that you really can't get anywhere else. Our waiter was a budding photographer, who told us about walking around with different friends getting them to notice things that interested them for him to photograph. What an interesting idea. It was great to catch up with them all, and hear about Laura's music career, which is really flourishing. Next time!

I'd been planning to attend Nick Page's memorial meet-up in the evening, but instead had to go back and re-jig the information about Thursday's gig. It's almost all done now, with Kenji finalising the new poster later this evening.

Today, I was on the way to the Curzon cinema in Camden, which was proving to be extremely elusive. I took my phone out to see if I could find it on the map. I heard whirring behind me and the phone was snatched out of my hand in an instant by a robber on an electric bike. 

F*ck. My heart nearly beat itself out of my body. 

I didn't know what to do so I carried on walking, feeling glad that I have zero banking apps or indeed any others on the phone- just hours of crap song ideas and pages of crap notes that mean nothing to anyone except me. 

I collected my thoughts. 'I will need to get a new phone tomorrow', I thought; 'I can manage without one today'.

I walked around the corner and a young woman ran across the road. 'Have you just had your phone stolen?' she asked. 'Yes', I said, expecting her to maybe say that she'd had hers stolen too, or to tell me which direction the youth on the bike had shot off in. 

'It's on the pavement', she said. And it was! 

He must have dropped it by accident. What a bloody relief and what a stroke of luck. I told a few people to put their phones away after that. It just happens really quickly, and it's not worth using them in the street. Ask for directions, and don't text in the street (I broke my elbow a few years go when I was texting and I slipped on drizzly tarmac), and generally do as I say, not as I do. 

You know.

Really, I would like a little less drama in my life. I've bought an HDMI for Thursday which I'll test for screening the film, purchased leads to run music off my computer, fixed up my acoustic guitar for the songs I'll play live, and started to learn the words. I hope the audience forgives me if I need to use printed lyrics for at least one song. In my parallel universe of a broken finger, disappearing support act, escape from a train toilet and boomerang phone crime, I could use a little tranquillity. 

I really could.



Saturday, November 07, 2026

Glasgow Change: Now Film Screening/Gig

Thursday 12th November at The Old Hairdresser's: Lorraine sends her apologies as she has had to pull out of the gig.
Timings as follows:
7.30 doors open;
8.00 'Stories from the She-Punks'
8.45 break;
9.00 Helen's set
10.00 finish
(the ticket details are in the process of being changed)
Photo by Ruth Tidmarsh



Friday, November 06, 2026

Wednesday, November 04, 2026

Nest Gig: Glasgow Old Hairdresser's, Thursday 12th November

No sooner have I caught my breath after last week's three documentary film panels, then next week's gigs, panel and interview are rearing their beautiful heads.

I've approved the album masters too.

There is always a spanner in the works though, isn't there? I found out that my 'sore finger' is actually a broken finger, and spent many of the daylight hours last week on a tour of Accident and Emergency facilities to end up with a customised splint and instructions not to remove it at all until it's replaced next week. I've worked out that I can play half my set live on the nylon-strung guitar, and will run the rest from my laptop using the mixes that I've spent the summer completing (they do sound rather snazzy), singing over the top and storytelling around the edges.

This means that I played the Betsey Trotwood gig with a broken finger. How punk is that? 

It doesn't really hurt enough to feel broken, but the x-ray doesn't lie. So I had to get the guitar pickup checked over, and restring it, and then check the type of leads that you need to run a laptop into a PA system and get hold of those. All done, when really I should have been learning the words to the new songs. Oh busy!

Maybe this is why I've been incredibly lazy over the past two days, mostly reading, eating chocolate and sleeping. 

So the gigs are Glasgow Old Hairdresser's on Thursday 14th November and Todmorden Three Wise Monkeys on Friday 13th, followed by a panel with Penny Kiley and Molly Tie (chaired by John Robb) at Louder Than Words in Manchester the following day and interviewing Zoe Howe about her revised book about The Slits on Sunday, plus four mini-sets on both days before other panels and interviews.

The experience of the documentary screenings, both Punk Brighton and Stories from the She-Punks, has really validated the new song project. I could sit in a corner and meep over the finger issue, but actually I feel energised by the whole palaver. 

At the beginning of last week I felt like Brighton's West Pier: every time it's stormy, a bit falls off. This week I feel: stick it all back together again, get me hair cut and maybe even dye it red! 

How will you know if I do? 

You'll have to come to a gig to find out!

Advance tickets for Glasgow here, but also available on the door: https://wegottickets.com/f/26674

Todmorden is free, but there will be a pass-the-hat service, I believe.




In the Café


 

Tuesday, November 03, 2026

Screening of 'Stories from the She-Punks' at The Museum of Youth Culture

We were invited to show the documentary as part of the Up Yours! Collective's celebration of Poly Styrene's life on Sunday evening. At first I wondered if it might be better for Gina to do the presentation herself, but she asked me to join her. The moderator Marie Aleth Skov was perfect for the panel, because she is an academic based at the University of Aarhus in Denmark and as such was able to have a neutral overview of what the film is about, and the ways in which it relates to the punk community of 50 years ago.


We were perched on a huge sound-system for the Q&A session, and talked about the origins of the film and what we'd brought to it as individuals- and the wonderful screening we had at The British Library in 2016. Some of the musicians from the documentary came along- Enid Williams came all the way from Hastings, and Gaye Black was there. It was a varied audience in terms of age and gender, which was really good. I don't think many people had seen it before.

The Museum of Youth Culture is housed in a lovely building that has just enough of the meanwhile space about it to make it feel very friendly, which I greatly appreciated. They have an extensive education programme and a team of paid volunteers: it must take a lot of energy to run it. The Up Yours! Collective have put together an extensive exhibition of art, photographs and music that illustrates the London end of punk comprehensively, and that is proving very popular. It's free to get in to the exhibition and there is a very accommodating café there too.

You can watch the film here now: https://www.youtube.com/watch?v=zki9nj8tjZA&t=2103s



Saturday, October 31, 2026

Folkestone

Yesterday I went to Folkestone with Joan to visit a lovely house on the seafront at Sandgate with panels of framed Delft tiles on the walls. It was very sociable and such a change from the rest of the week; we sketched our favourite tiles and chatted with our host, who delighted in showing us around his very historic house and garden. It was a lovely glimpse into different world.

The sunset was beautiful, and you could faintly see Dungeness in the distance.



Punk Brighton Screenings

On Wednesday, I went to the Duke of York's Cinema in Brighton to watch Kevin Wright's Punk Brighton documentary. It's been 15 years in the making and quite a few years ago a whole bunch of us met up at the Prince Albert to be filmed yakking about our own experience of punk in Brighton.

I wan't sure how it would turn out- I think Kev was born in 1983- but he had done loads of research. It wasn't just masses of old photographs: he'd found audio of Vi Subversa talking, some footage of Peter and the Test Tube Babies, and basically did a whole slice of the scene complete justice. It was a real coup to get Rose Barnard talking about The Mockingbirds, a band of women fed up with being left looking after the kids while their husbands and partners were off making music with their bands- so they made their own band, and had quite a degree of local success, including a track on one of the Vaultage albums. It was obvious how different we all were from each other, and it was touching to see Darris Golinski paying tribute to the Piranhas. There was a substantial section on Rock Against Racism that featured Tony Greenstein talking about taking on the National Front. He used to live upstairs in the squat in Lansdowne Square, and so we had a lot of conversations back then. Even he had a guitar, but he was definitely a Dylan fan; you'd hear him singing away some evenings. There was also a section with Attila the Stockbroker and Norman Cook talking about the campaign to build a new Brighton football ground, using a cover of The Piranhas Tom Hark, which charted and would have been number one if Busted hadn't broken up that week! I had a teary moment seeing photos of The Chefs with James in them. How he would have loved this film.

It was very well-received- the cinema was full. Tracy Preston came, and it was lovely that Sara Furse could come to (one of the first bands I saw was her band No Man's Band, with Ian Loeffler in a dress playing guitar so he fitted in with the girls. And that was before punk even hit Brighton!

I had to rush back to London straight afterwards but could see Phil and Barb there, Hoggins, Stu Jones, Suzy Horne, and of course Dave Barnard and Del Ford who both did the Q&A with Kevin and I, hosted by Jak Hutchcraft.


















On Thursday, the documentary was shown at The Rio in Dalston to a much smaller but I think equally appreciative audience (hello Terry, and Rob!). My friend the artist Charlotte Worthington came, and remembered that she'd been in a band called Austin and the A40s, again before punk started. I was sole panel member (just a pan?), interviewed by Karen Shook, and we carried on talking all the way back to Highbury and Islington. Oh, you awful dirty music industry! I had an epiphany about an unexpectedly flirty message I'd received from a married, and supposedly very worthy, songwriter. Oh deary me. 


























Wednesday, October 28, 2026

Next Gig: Glasgow Old Hairdresser's

Only two weeks to go!

What was punk really like in 1977?
Not anything like the nostalgic memories would have you believe. This new set of songs tells it like it was, from the frontline.Glasgow Old Hairdresser's, 12th November
with Lorraine Lucas
Presented in conjunction with Glas-Goes Pop
Tickets: https://wegottickets.com/f/26674/
Photo: Jeanie Jean, from Rebellion Punk Music Festival Almost Acoustic stage where I played the fledgeling songs. This time I'll be standing up- and won't need the words (I hope!)

























Sunday, October 25, 2026

Good News

Also, I have some great news. the label Spinout Nuggets will be releasing The Darkside Truth in April next year. I sent the final mixed tracks to Lee Grimshaw a couple of day ago, and it's all systems go! 

They will be mastered by Ian Button, and then I'll get the artwork sorted properly.

Here are the pre-release gigs before Christmas, when I'll be taking a break for a couple of months to sort out a tour to support the release:

12th November: The Old Hairdresser’s, Glasgow, with Lorraine Lucas

https://wegottickets.com/f/26674


13th November: Three Wise Monkeys, Todmorden with the Sunbathers (free entry)


14/15th November: Louder Than Words, Manchester 4 mini-sets before interviews


22nd November: Knowle Constitutional Club, Bristol with Anna Kissell (donations)


26th November: 12 Degrees Micro Brewery, Rochester with Allan Crockford (free entry)


29th November: Servant Jazz Quarters, London supporting Nat the Hammer, Quantum Flirts album launch https://wegottickets.com/f/29241/


18th December: Prince Albert, Brighton with Asbo Derek

https://wegottickets.com/f/23920




Walking In The Rain

When autumn comes, you have to grab it by the windy, rainy horns. Yes, it's tempting to sit inside with a cup of tea and watch whatever grot the TV throws at you, or read an Ian Rankin book for the umpteenth time. But if you do that, then that is going to be your fate for the whole winter. You need to be out there in the weather wearing the Weather Clothes, striding through the puddles and allowing the rain to completely soak your trousers, probably.

What was tempting was the exhibition in the quirky little The Gallery of Everything of work by Sam Doyle. It's not just the 'story' behind the paintings (he grew up on St Helena Island, South Carolina and painted on scrap metal that he found about the place). It's that they are absolutely gorgeous- the colours, the sheer stylishness of his work. In a funny sort of way they remind me of mediaeval illuminated manuscripts: there is a formality about them even though they have rough surfaces and some occasional splodginess. I don't care a fig for the hype around the Bayeaux Tapestry (saw it when I was a nipper in France, then went to see the perfectly serviceable censored version in Reading Museum with the Offsprogs a couple of years ago). I care a fig for these lovely paintings. I wish I was rich because I would buy one if I was.

Yes, I got absolutely soaked, but it was worth it.






Friday, October 23, 2026

Mixing Book And Me

I realised that what made it take such a long time was having a different sound and a different vocal mood for each song- you couldn't just choose a setting and have it the same all the way through, like you can with some records. One more headphone listen later, and then it's going to be uploaded for sending off to be mastered.