Drawing Again

A full drawing day today, doing a bit more work on shop dummy with a missing hand (whaddya mean that's not a portrait), and starting tis one, an A3 drawing which is taking a while to do (the A3 drawing usually take two days, so I hope to finish it tomorrow).

I think I drew for about 5 hours today, with a break for lunch with Offsprog One, who came to take a look at where I work. It gets cold, and I forget that I'm cold because I'm concentrating.

When I left, the District, Circle, Metropolitan and Hammersmith and City lines were all suspended. There was trouble fitting on to the trains. It was the number of feet. Eventually, a bit like a jigsaw, passengers managed to slot their feet together into an awkward, uncomfortable pattern and we all managed to stand in the carriage.

Good. I've walked more than six miles today scoping out the area. I'm not sure if I'm a spy or a psychogeographer, or simply a nosey parker. Or maybe it's simply what I said on the application form- I want to draw people that normally get ignored. This chap was great!

Review of Glasgow Glad Café Gig in 'Is This Music'

Before Christmas I moved heaven and earth to get to the Glad Café for this gig! It was so worth it, even if it took me weeks to recover from the cold. Found this review online, which was originally just on Facebook, but here it is: https://www.isthismusic.com/helen-mccookerybook-howie-reeve

Coincidentally, Howie came across Ben Wilson the Chewing Gum Painter in Dundee the other day. Funny how itinerant people bump into each other all over the place!

Colour-Coded Outputs

When you work in academia, anything theoretical you publish and anything you create or make is submitted as an output to the Research Excellence Framework (trips off the tongue, doesn't it?), and is then evaluated to assess how much you're University should be allotted in research funding.

Almost any academic will tell you that there's a hierarchy in terms of who gets sabbaticals to work on their stuff, and most people do their research in their own time. I do feel very proud of what I've written: two books, The Lost Women of Rock Music (https://www.equinoxpub.com/home/lost-women/) and She's At The Controls (https://www.equinoxpub.com/home/shes-at-the-controls/), a couple of book chapters and several journal articles. 

This book, edited with aplomb by Asif Siddiqi, contains my last academic chapter, 'Oh Bondage! Up Yours (1977), which pulls apart the way the track was reviewed and sometimes weaponised against Poly herself. It's a fascinating book, alas too expensive for general consumption, but definitely orderable from libraries. You can read more about the book and it's other chapters here: https://www.taylorfrancis.com/books/edit/10.4324/9781003093206/one-track-mind-asif-siddiqi

It arrived in the same erratic post delivery as this compilation from Cherry Red, which includes The Chefs track Sweetie. Oddly, they are colour co-ordinated. Have the publisher and the record label colluded in some way? 

We shall have to consult the conspiracy theorists!

Interview for Psychedelic Baby

This is a fantastic interview and has come out just in time for our gig next Wednesday- sorry not to have written up Wednesday night yet, but last night I went to the screening fo Joan Ashworth's work in progress on Sylvia Pankhurst- brilliant- and I'm tired!

Here's the link to the interview: https://www.psychedelicbabymag.com/2023/01/the-chefs-interview-our-positive-sound-our-harmonies.html?fbclid=IwAR3W848kfAA7poV8eBMHiUa9fF09rS8JDZh1zi9TZ9sT5eUPfnrCmyCVEFM

From Last Night's Gig

Review to come (it was lovely), but I've got to sweep the loft first.

McCookerybook and Rotifer on Wednesday

 

https://www.wegottickets.com/event/565719

Monday Already

So it's the second week of my residency as a community portrait artist. I spent part of today drawing a woman smallholder selling fruit from a stall at North End Road, and the rest of it walking around seeing who was about. Two women were chatting, one in a basement front garden and another at pavement level. They seemed friendly, looked amazing and I asked them if I could photograph them. 

NO YOU CAN NOT. 

Okay, that's okay. I always ask because some people do not like the idea; but some people really do like it. 

At Earl's Court Tube, a gentleman was sheltering from the rain. I'd heard his steel pan drum in the distance, and I asked him if I could photograph him for a portrait. He was delighted, and went back to his pan to play. I put some money in his collection. 'I'm divorced', he said, maybe hoping for a double helping of cash. 'So am I' I said, and we laughed.

By now, it was pouring with rain and I went for a cup of tea. On my way back to the studio, the two women were still chatting, rain or no rain. Now that's friendship for you.

Finished Sheep Plate

Just my finished painted ceramic: the Offsprogs' ones are lovely!

I nipped to Brighton this morning, braving the upward-slanting rain and just deciding to get wet when the wind blew my brolly inside out. Picked these up, had a coffee and a croissant, and came home reading the Sunday papers on the train.

Jacket potato in the oven.

From Sunday Drawing Club on Wednesday

From yesterday evening's Drawing Club. How lovely to see everyone again! It may seem odd to do a black and white drawing of such a colourful banner but I've been working in colour all week and it was good to have a change.

On another note, I think my blog has been hacked. I got a message two weeks ago saying I'd posted some offensive content (I haven't), and since then the reader stats have shrunk by more than 90%. This is the internet, and the internet gets hacked, doesn't it?

Bloggers and Twitterers often ask for comments to confirm that people are reading what they post, but because I don't have a regular commenting/follower thing going on, I'm not going to do that because I like the idea of this being a drop-in blog, and not a proscriptive daily readership duty! So I'm going to carry on, and see what happens. If it dwindles to zero then I may have to relocate, which is possibly what the hackers want if they are trying to drain Blogger of its energy. Let's see what happens!

Today's Work In Progress

 

Starting a New Job and Abba's Voyage

My new job for the next three months started, and I spent part of the morning walking around and taking  look at the area around Earl's Court. I photographed a delivery man with a pile of exciting looking boxes, and a woman in a charity shop, as well as making a mental list to go back and meet some of the people in the shops that weren't open yet.

I'll be running art workshops, and I made a poster for that and chatted to the woman who runs the community centre where I'll be working. I even drew the delivery man, because I need to get going, even with background work.

In the evening, I went with Offsprog One to see Abba Voyage in its own purpose built arena opposite Pudding Mill Lane Docklands Light Railway station. This was my birthday present from my Offsprogs; they had remembered that I'd said I wanted to go, even though I knew it would be weird. And it definitely was! The holograms were really clever, but the avatars were a little on the glitchy side (which was quite pleasing). There was a live band, which seemed to confuse everyone because we'd realised that there was no point in applauding holograms. But then the band appeared out of a hole in the ground, so everything changed. There was some beautiful animiné in a couple of the songs. There were too many new Abba songs that we didn't know, but the old favourites sent the audience wild, and that was us too. It was hilarious to see the vanity of the male members (sic) of the band, who in avatar form had lost the hamster cheeks and chubby chins of their youth and who looked quite elfin. There was also a notable chumminess between the holographic band members that had been nowhere to be seen back in the day: they were well known for their frosty performances with absolutely no onstage camaraderie. But that made it all the better really because artificiality is what it's all about, and there was a lot of knowing reference to that fact: 'costume changes' in the dark, and so on. We were in the mosh pit, along with the girl gangs (fun) and the tall men who talked all the way through (not fun). the latter disappeared shortly after being asked not to FaceTime their mates during the performance (seriously!). It was a genius birthday present. Thank you, Offsprogs.

I didn't mind the rain today. On my way to the studio, I spied a fabulous postie in a voluminous fluorescent anorak pushing a trolled and I asked if I could photograph him, and explained that I would be making a portrait from the photo. 'Yes', he said, 'So long as you don't show my face'.

I think I may have more stories like that before this project is finished!

Bob and Roberta Smith's Codex

I'm about to start a portrait artist residency for the Earl's Court Development Company, and will be running some community art workshops as part of what I do. I've done the same with music, often, and it's an interesting change to think about activities that might appeal to adult workshop participants.

Bob and Roberta Smith's project involved autobiographical storytelling by residents of Thamesmead, and this wall of stories, presented in Bob and Roberta Smith's recognisable style, is an inspirational artwork for someone embarking on a new art project. At first sight it's a million miles away from what I plan to do, but ultimately any community arts project should validate individual people who participate in it, however it 'works'.

So yes, a very interesting afternoon. It included a few minutes on the Thames beach, watching a woman feed iceberg lettuce to some very friendly swans. Sundays, eh?

New Video for Beachwalk

 

Cabaret and Helen Chadwick

January can be dismal, and so it's a good month to refuse to be unhappy. 

I got paid for my illustrations, and that meant that I could go with my Champagne Friend to see Cabaret yesterday afternoon. It was really wonderfully put together, with a particularly good actor playing the MC, a part originally played in London by Eddie Redmayne. Somehow, it was almost better to not know who the actor was this time around: it allowed him to inhabit the part as himself, free from reputation. The band/orchestra was superb, the costumes were perfectly suited to the different moods expressed in the script, and the stage was really well-designed. So much thought had gone into the whole thing: vodka shots for the audience on arrival at the 'Kit Kat Club' (alas, neither of us drink!), a pianist in the bar, wandering musicians and acrobatic/erotic dancers. The joint main story line about the landlady rejecting her Jewish lover was heartrending, especially his assurances that nothing could possibly go wrong in Germany, so he did not need to leave the country. The Nazis would never take over. Someone behind us was in floods of tears by the end. The song Cabaret was reserved till the penultimate scene, where it was performed as a macabre and chilling precursor of the social and political upheaval that was to lead to the holocaust. 

Occasionally the singing was rather shrill, but the performers appeared to realise this and reined themselves in. Even the programme sellers were impressed at the energy of the production. I'm so glad to have seen it.

Today, Gina took me out for lunch for my birthday. French Onion soup, perfect for January. Then we walked over to Mayfair to see the Helen Chadwick exhibition at the Richard Saltoun Gallery. Oh, what a wonderful person she was! The gallery was showing her final year film made in 1976 at Brighton Art College, featuring lots of people that I knew back then, dressed in Helen's fabulously pervy costumes yet presented in all innocence and normality just as she aways did it. She was so clever, and all against the backdrop of proper old-fashioned art college misogyny and conservatism. 

One of the lecturers in the film audience actually used to go to Carrera and paint big blocks of marble: absolutely beautiful and timeless, but (sorry) also absolutely mindless. Another  lecturer used to pat me on the head, so I cropped all my hair off, close to my scalp, so I looked 'ard. Another used to go into a cupboard with an MA student and....

Oh dear, what a soap opera it was! Please go if you can- it's on till Saturday. The film is completely charming.

Making a Real Time Video for 'Beachwalk'

After a long walk yesterday along the Parkland (from Finsbury Park to Alexandra Palace, through a disused railway station complete with platforms near Highgate), today is a day of peace and creativity. There were hundreds of people and thousands of dogs, but we all ambled along amenably, and occasionally spoke to each other. It was a nice way to spend New Year's Day 2023.

I'd had the idea of making a real-time video of Beachwalk for ages, and today we finally did it. There were three takes: it was hard to get the rhythm right, but the second take was The One. It was fun to draw really quickly, instead of slowly and precisely and 'in the zone'; I had to make sure that the correct colours were on hand.

I have finally recovered from the harsh experience of travelling to Glasgow amidst rail strikes and the coldest and most frozen December for years. I'm so glad to have got there, to have stayed with my friends Kenji and Till, and seen so many pals at the gig itself; I got home in once piece and was able to enjoy Christmas with my Offsprogs and a really lovely birthday in Brighton, also with them.

Life will rev up again soon enough. Exciting things will be happening from next week onwards, and there's more culture to come both this week and next. I'll post about the January gigs soon. Meanwhile, here are the three Beachwalk takes: