When you work in academia, anything theoretical you publish and anything you create or make is submitted as an output to the Research Excellence Framework (trips off the tongue, doesn't it?), and is then evaluated to assess how much you're University should be allotted in research funding.
Almost any academic will tell you that there's a hierarchy in terms of who gets sabbaticals to work on their stuff, and most people do their research in their own time. I do feel very proud of what I've written: two books, The Lost Women of Rock Music (https://www.equinoxpub.com/home/lost-women/) and She's At The Controls (https://www.equinoxpub.com/home/shes-at-the-controls/), a couple of book chapters and several journal articles.
This book, edited with aplomb by Asif Siddiqi, contains my last academic chapter, 'Oh Bondage! Up Yours (1977), which pulls apart the way the track was reviewed and sometimes weaponised against Poly herself. It's a fascinating book, alas too expensive for general consumption, but definitely orderable from libraries. You can read more about the book and it's other chapters here: https://www.taylorfrancis.com/books/edit/10.4324/9781003093206/one-track-mind-asif-siddiqi
It arrived in the same erratic post delivery as this compilation from Cherry Red, which includes The Chefs track Sweetie. Oddly, they are colour co-ordinated. Have the publisher and the record label colluded in some way?
We shall have to consult the conspiracy theorists!
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