Tuesday, April 01, 2025

Yesterday's Rehearsal

Yesterday Ruth Tidmarsh and Karina Townsend came over to rehearse vocals, bass and melodica for Saturday's gig at The Betsey Trotwood. Part of the rehearsal was just catching up with each other, which was a really good way to rehearse. If you're going to harmonise vocally you need to know the person you're going to be singing with, and Ruth and Karina hadn't met before although they have a lot in common.

Their voices blend together beautifully. There will be a lot of other musical stuff going on during the songs on Saturday, which made the rehearsal something of a treasure-chest of an experience. There was something timeless about the whole afternoon: three women sitting singing together in a kitchen (with an obtrusive cooker that's waiting to be taken away and recycled, and that's too heavy to push back where it's supposed to be). Calmly, we went through the songs, ate a bit of food, drank a lot of coffee, and had the sort of afternoon that can never be replicated. It was a bubble of beautiful sound, listening while singing, singing while listening, facing each other and working it all out. I can tell you that their voices sound gorgeous together; as experienced musicians they know how to blend and find a timbre that works with the other. I felt honoured to spend the afternoon with such musically intelligent women; it was a 'thing' in itself, almost like going to an art gallery and being blown away by the work of an artist you've never heard about before.

Incidentally, we discovered that the three of us learn out parts in entirely different ways. That's the great thing about music: it gives itself to people in ways that they can personalise and mould to their own ways of being creative.

The rehearsal recordings sound well, awesome. Very few people will hear them, I suspect, but different incarnations of Saturday's line-up will appear over the next few months (as well as the solo shows), and whenever I can practically do it, I'll augment the gigs this year with people who've contributed to the album.


Monday, March 31, 2025

Brian And His Owner

 


Brighton x 2

Even the afternoon of Thursday's exhibition was nice. Gaye Black's friend Eric had bought all the paraphernalia for hanging the pictures in advance, and there was no scrapping about who hung what picture where. with a pair of ladders and a lot of good will, we got six pictures each up on the wall. It was lovely to see Dominic Warwick of Rebellion Literary Festival fame sitting at a table when we got there, too.

After a fish supper on the seafront, we went back to the Pelirocco and people started filtering in, including Pauline Murray and her daughter, and Tracy Preston from The Smartees. Caryne and Dave had driven all the way over from Frome, en route (sort of) to a Loft concert in Newcastle. Pete Chrisp and Lisa came, Neil from Oldfield Youth Club and his partner, and Steve Clements. It was well busy, as they say. Ably aided by Del Strangefish on sound, I played a short set of songs, followed by Charlie Harper, who brought the house down with his versions of Streets of London and Wild Rover.



















It's such a nice hotel- small, perfectly formed and eccentric: a great place to start performing again after  along break.

Next day, we met Pauline and Grace for a late lunch. I spent the rest of the afternoon rehearsing the Asbo Derek songs that I was playing on that night. It's impossible to describe the Tribute Night for Bob Grover. There were members of The Ammonites, Midnight and the Lemon Boys, Theatre of Hate, The Objekts, The Lillettes, The Golinski Brothers and many more in the audience. Nick Linazasoro\s review here gives a bit of an insight: https://sussexonlinenews.co.uk/2025/03/30/boring-bob-grover-of-the-piranhas-gets-a-wonderful-send-off/

And here I am guesting with Asbo Derek. Ric Blow took over for the rest of the set. It was really good fun, but also very sad.


I had a great chat with the Piranha's bagpiper, who hailed from Oban. Zoot had flown over from New York for the night and there were other long distance travellers. The Prince Albert was packed. I didn't last the night because it's going to take a while to get match-fit again, but jumping in at the deep end like this was a bloody good way to start gigging again.

Friday, March 21, 2025

Busyness

I haven't written a posting for what seems like ages. It's been a busy time- I had prints made of six of my drawings for the exhibition at The Pelirocco in Brighton that I'm having with Gaye Black and Charlie Harper. They have come out very well. Then I had to go and buy frames, and I'll be framing them tomorrow.

I've been contributing ideas to one of Gina's songs, which is turning out really well. Every time we work on it, it gets better, and that's really fulfilling. I'm also supposed to learn three Asbo Derek songs on guitar before next Friday. They are very short and not hard to play at all, even though they are thrashers and not finger-pickers, but at the moment I can't tell which song is which! I'm supposed to learn a Piranhas song to sing but they haven't sent the lyrics yet so that may be impossible, because I'm learning my own songs for the album launch in April.

Naturally, my fingernails have all snapped. They can never be relied on to support me, the little buggers.

I've drawn some illustrations for Robert Halcrow to use for one of his songs. I did four of them, but I'm not going to post them here until he has filmed them for the video. He's done a cover version of A Good Life With A Bad Apple in a genre that I described as 'wobbly lounge', on which he's playing sax. It's very different to my song, but it's very good. Or maybe that's why it's good! Ha!

It's possible I'm going to sing some backing vocals on Kenji's solo album, but I'm not sure if they can wait until after my launch. Robert has written the songs, I think; but I've had to wait to see if I could still sing after quite a drastic operation at the end of last year. I hope they wait. It would be such an honour to contribute to that.

Funny, isn't it? I left my lecturing job and felt very upset by that. I felt as though I was living a lie: the University was not abiding by its own Equal Opportunities manifesto, and by working there I was helping them to be dishonest. Plus, I was effectively working full-time and being paid as a part-time worker. As a consequence, I have a tiny pension, so instead of going round the world on a wonderful holiday like many of my contemporaries, I've had to just have a holiday in my head, and get on with art and music.

Part of that wonderful holiday would have involved visiting Vermont, San Francisco, and New York again. Naturally, I can't even do that in my head. The situation in the USA is the stuff of nightmares: wannabe Roman Emperors in their new clothes, strutting about celebrating their own vanity. What horrible specimens of humanity, or rather inhumanity, they are.

Maybe I'll get to Cuba and listen to some wonderful music! A day in Paris wouldn't go amiss, either.

Until then, I'm art-ing and musicking like mad. The Pop-Up Chefs EP will be coming out in about a month's time (I hope). It's just being manufactured. I hope to get my brother James's music up on Bandcamp shortly too. Let's have a bit of Chefs energy out there in the mix!

Chefs First Badge Design Proof From Better Badges

 


Being A Clue In The NME Crossword, 1990

 


Wednesday, March 19, 2025

Next Gig: Birmingham, Thursday 3rd April


This will be my first proper gig for almost 5 months. I'll be playing songs from my new album, as well as some older ones.
It's about 10 years since I last played there- and of course many more years that that since Helen and the Horns appeared on Pebble Mill at One!
Thursday 3rd April, tickets here:
https://www.skiddle.com/whats-on/Birmingham/Rock-And-Roll-Brewhouse/Helen-McCookery-Book/40471794/