It was sunny in Brighton yesterday afternoon, but with a nasty little nip in the air if you weren't careful. Thankfully, a warm welcome awaited those fortunate enough to know about the special matinée at The Prince Albert, the famous Brighton music pub a gnat's cough away from the station. Brian, well-thumped (more of that later) drummer of Asbo Derek was there already, but the pub wasn't open yet: luckily, Joe Davin, top session musician of the day, was walking up the road with his Dad and we went for coffee and a chewy sourdough sandwich while The Astronauts did their soundcheck. Joe was overcome by the amount of stylophones he had been offered; and not only was he playing stylophone for me, but he was also playing keyboards for The Astronauts. Almost as soon as we got back to the Prince Albert, so did the audience.
It was obvious that this was going to be a great afternoon.
Brian started the proceedings with a story that rambled along amiably with such finesse that I was always two beats behind with laughing at the funny bits. In a nutshell (yes, I'm going to spill the beans, or nuts if you like, because then he'll have to write more stories) when Brian was on holiday in Greece, an Albanian misunderstood him when he said he had been a social worker working with children, as being a 'sexual worker' working with children. The entire hotel turned against him and two of the guests wanted to thump him until the matter was resolved, and he spent the rest of the holiday dining out on the story.
Drinking out on the story.
Up I leapt for my bit, a selection of hits from my repertoire finished off neatly with The Band That Time Forgot, during which I hoped like hell that I wouldn't forget any of it, and knew that once Joe arrived with his stylophone the song was nearly over. Readers it was worth it, if only for the collective wince when the Stylophone solo began! And also for the lusty choral audience singing for the chorus of At The Bathing Pond, which was remarkably strong and tuneful for a Saturday afternoon when everybody's hangovers still probably hadn't worn off.
Then dear Asbo Derek clambered on to the stage: how I have missed them! Their good-natured bad temper ('Get on wi' it!'), their thrashing chords, their pure punk silliness, Brian getting cramp, Jem stomping about the stage waving his arms madly and digging about in his brain for yet more innuendo, Darcy and Mark looking at each other as if they are desperately imagining themselves to be in a different band. I loved the new song Pheasant Attack so much that I almost didn't sulk because they didn't play The Buddhist Lost Property.
Almost, but not quite.
Steve's live mix was so good that entirely new lyrical meanings emerged and new layers of grubbiness materialised. I could hear my friends, who'd been Asbo Derek virgins until now, roaring with laughter beside me.
Oh the joy!
I want Asbo Derek for Christmas please, Santa!
More stories from Brian, then Lee McFadden's dream of Lou Read singing Send in the Clowns was brought to life in front of our very ears. It was a hit!
Finally, The Astronauts landed on the stage and treated the packed venue to a feast of tightly-rehearsed progressive rock, sometimes sounding like early Pink Floyd, and at others like Soft Machine's third album. Their drummer is amazing: in fact all of the musicianship is amazing. Touchingly they were joined by Hawkwind's flute and sax player, Nik Turner, who happened to be in Brighton because The Hawklords were playing at The Dome last night, and Helen Robertson sang with them too.
It was fun, friendly, musical, warm-hearted and beat my normal poor sad Saturday afternoon occupation of watching the Come Dine with Me omnibus with a bag of Doritos hands-down.
What a great idea, matinée gigs! Big slice of pheasant pie for Asbo Derek!
2 comments:
Beautifully remembered Helen - and did you ever figure out whether it was Simon Rivers or myself who was King of "The London Set?" LOL
Ha ha! There's more competition to be had before that's resolved!
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