It's almost impossible to describe the atmosphere at the gig on Saturday. The venue, which holds 1000 people, was packed with people of all ages, genders and cultures, all come out to support the anniversary of the first Raincoats album.
The venue looks like something from the set of Metropolis: cavernous, grey, with formal-looking animal panels on the ceiling, massive abstract wrought-iron panels on the walls at the back, a huge PA rig, and vast stylised lights that look like old-fashioned X-Ray machines.
Tiny Shirley appeared on the stage to introduce the gigs, and soon Gina, Ana, Anne and their guest drummer arrived on stage to play through the entire album as the first part of the evening. From where we were sitting the sound was drum and bass heavy (just like the Old Days, in fact), but the spirit was there and the songs came across beautifully.
There was a VIP area down the front where we could have sat, but up on the football terraces (wooden steps where cinema seats had once been) you got a good view and also got to sit next to Karina and Andy. I suppose I thought I would be able to catch up with people at the after party but that was not to be (more about that later). At one point the drum pedal broke but another materialised just in time for the next song.
There was lots of history there: Vicky Aspinall was in the audience and Lora Logic was invited on stage to play on Lola. Tall, elegant and note-perfect, she triggered quite an emotional response from the audience (including me: such a long tine since interviewing her for the book, when more people were alive and I suppose I thought there would be more of us around to celebrate this moment).
The first of the guests was Green from Scritti Politti, aided and abetted by Rhodri Marsden, the world's most session musician for the simple reason that he plays everything like he means it. Green's voice remains simply divine and this was a wonderful surprise, as was the next guest band, Big Joanie playing seated and semi-acoustic. The simplicity of their delivery came across really well; I'd never seen them live and I thought they were fantastic. They were well-rehearsed, they have great songs and a sense of humility that is really refreshing (they thanked The Raincoats for inspiration), in a world full of music-school arrogance. Brilliant.
The second Raincoats set was completely informal and released the audience from their tiered seating: there was a flood to the front of the theatre. Honey Birch joined the group for a new song called 57 Ways To Die, employed for her whistling skills; Ana took to the mini synthesiser, and Anne continued her multi tasking as guitarist, violin player and additional vocalist (what a complete asset to the group she is). Despite the audience's enthusiasm, the gig had run over time and there was no encore.
What a great atmosphere!
I missed the last train home, and have rediscovered the plethora of back streets in north London and Barnet on a freezing cold rattly little bus in the depths of the night: but it was all worth it!
No comments:
Post a Comment