I've just listened to a snippet of Frank Ocean's new material. He's sounding very D'Angelo but also pleasingly low fi. Having recorded a track on my iPhone last Saturday at home (satisfyingly typo'd as iPhome before I corrected it) I am now of the opinion that low fidelity is the way forward. My song has the cars going past, and a nice fade out featuring next door's dog, as well as some imperfect sounding vocals and a bit of clumsy playing here and there. But it is spirited and it seems like a logical step forward from recording 'Anarchy Skiffle' live in Colin's garage in Darlington in February. Here's to the authenticity of the occasional mistake.
Oddly enough, Frank Ocean's track reminded me of Billy Childish's kitchen recording that you could hear him switching the tape recorder on/off in, at the end of each line as he was making the song up. You can hear Frank pottering about briefly at the start and end of the track. Very blues: singing the line twice or three times while you think up the punchline. And also an impressionist painting too, where there are no sharp edges to trip over and kill the imagination.
Frank Ocean on Soundcloud: Memrise ( sorry no italics today; the iPhone touch screen is being anarchic)